New Delhi : Nag Ashwin, the director of the upcoming film Kalki 2898 AD, has addressed the recent comments made by actor Arshad Warsi, who described Prabhas’s appearance in the movie as looking like a “joker.” In a balanced and conciliatory response, Ashwin took to social media platform X (formerly Twitter) to share his thoughts on the matter.
Ashwin’s primary message was one of unity and moving beyond regional divisions in the Indian film industry. He emphasized that the industry should not be fragmented by debates over “north-south” or “Bollywood vs. Tollywood.” He stated, “Let’s not go backwards… no more north-south or bolly vs tolly… eyes on the bigger picture… united Indian film industry.” This call for unity reflects Ashwin’s broader vision for Indian cinema, which aims to transcend regional boundaries and appeal to audiences across the nation and beyond.
Responding directly to the fan who compared a single scene from Kalki 2898 AD to all of Bollywood, Ashwin acknowledged the passion behind such sentiments but urged a more inclusive approach. He pointed out that while Warsi’s choice of words could have been more thoughtful, everyone is entitled to their opinions. “Arshad saab should have chosen his words better,” Ashwin commented, demonstrating a measured reaction to what many considered a provocative statement.
To lighten the mood and perhaps diffuse any lingering tension, Ashwin humorously mentioned that he would send “Buji toys” for Arshad Warsi’s children. This gesture indicates Ashwin’s intent to keep the atmosphere amicable, despite the controversy. He further expressed his dedication to the project and to showcasing Prabhas’s talent in the best possible light. “I will work hard so tweets… that Prabhas was the best ever in K2,” he added, reinforcing his commitment to the film’s success and Prabhas’s portrayal in it.
The backdrop to this exchange involves Warsi’s blunt critique of Prabhas’s appearance in a recently released clip from Kalki 2898 AD, which stirred reactions among fans and the film fraternity. Many interpreted Warsi’s remarks as not just a critique of the actor’s performance but also as an undermining of the film’s creative vision.
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