Kangana Ranaut criticizes Bollywood’s “zehrila” for remaining silent about emergency movie

New Delhi : Kangana Ranaut has made headlines once again with her strong criticism of the Bollywood industry, accusing it of harboring individuals who are “envious and venomous” because they have not had to work as hard as she has. Her remarks come in the wake of her promotion for her upcoming film Emergency, which is scheduled for release next month.

In a candid appearance on the latest episode of The Bombay Journey with Mashable India, Ranaut expressed her frustration with the film industry’s apparent indifference towards her film. She lamented that despite the film’s significant subject matter—addressing the controversial period of India’s Emergency—Bollywood has largely remained silent. This silence, according to Ranaut, is indicative of a broader issue within the industry where genuine talent and hard work are often overshadowed by jealousy and spite.

Ranaut’s Emergency explores the politically charged period of Indian history when then-Prime Minister Indira Gandhi declared a state of emergency, leading to widespread political repression. Despite the film’s ambitious subject matter, Ranaut feels that the industry’s lack of support reflects deeper issues of hostility and envy among her peers. She believes that many in Bollywood have not faced the same struggles or challenges and thus harbor resentment towards those who have succeeded through their own efforts.

The actress has previously voiced her dissatisfaction with the industry, calling it a “hopeless place” where talent is often undervalued and overshadowed by jealousy. She has stated that her hard work and commitment to tackling difficult subjects have not been met with the recognition she believes they deserve. Ranaut’s comments are a part of her broader critique of Bollywood’s culture and the way it handles political and historical narratives.

As Emergency approaches its release, Ranaut’s criticism serves as a stark reminder of the challenges faced by those who venture into politically sensitive territory in Indian cinema. Her statements highlight the ongoing tension between artistic expression and industry dynamics, particularly when dealing with controversial or significant historical events.